Aleteia logoAleteia logo
Aleteia
Monday 17 May |
Saint of the Day: St. Rasso of Grafrath
home iconNews
line break icon

“Gone Girl”

21st-Century-Fox Promo

David Ives - published on 11/28/14 - updated on 06/07/17

Expect this movie to attract attention come awards season.

If you happen to know a couple who are planning to get married and they’ve expressed some concerns about going through pre-marital counseling as recommended by the Church, then just have them go see “Gone Girl.” I guarantee that if they do so, they’ll be on the phone with Father first thing the next morning to set up their sessions.

“Gone Girl” is the tenth feature film from director David Fincher, the man who brought us the likes of “Seven,” “Fight Club,” “The Social Network,” and “Zodiac.” Whether you like those films or not, you’ve got to admit that’s a pretty solid resume. And if those uber-stylish movies weren’t enough to earn Fincher the title of auteur, this one certainly clinches the deal. “Gone Girl” is as Fincher-y as a movie can possibly get.

It’s darkly lit with a limited pallette. Characters are often half hidden in the shadows. There are editing flourishes that always remind you the director cut his teeth on music videos. The subject matter is somber and serious, but not above wallowing in some of the trashier elements of pulp fiction (there’s graphic sex and violence, but not as much as in some of Fincher’s other works). But most of all, the protagonists are recognizable all-American archetypes, yet also a bit obsessive and/or deviant, so you’re never 100 percent sure you should be on their side.

In the case of “Gone Girl,” the possible choice of protagonists are Nick Dunne (Ben Affleck) and/or his wife Amy (Rosamund Pike). Now, if that sounds like I’m being sort of wishy-washy on exactly who the “hero” of the film is, it’s because there may not actually be one. But we’ll get to that.

The movie opens on the day of the couple’s fifth wedding anniversary as Nick returns home to find the living room in shambles and Amy missing. He immediately summons the police, who determine that foul play was involved. Because Amy is semi-famous, having served as the model for the title character in a wildly popular line of children’s books published by her parents, her disappearance swiftly becomes a cause célèbre with the national news channels. As a result, an uncomfortable Nick finds himself the unwilling star in the ensuing media circus.

He also becomes the prime suspect in Amy’s disappearance and likely murder. As flashbacks reveal, the couple’s marriage had been in trouble for some time. Both Nick and Amy lost their jobs due to the recession, and most of Amy’s trust fund was turned over to her parents to help with their financial woes. On top of the Dunne’s money problems, Nick had forced a reluctant Amy to move from her beloved New York City to suburban Missouri in order to attend to Nick’s dying mother. Once in Missouri, Nick had become distant, lazy, and possibly abusive.

And that’s about as far into the plot as I’m willing to go, because to say too much more would spoil things for those who have never read Gillian Flynn’s wildly popular novel upon which “Gone Girl” is based. What starts out as a routine setup for any old Lifetime movie of the week quickly turns into a roller coaster of a mystery once the plot twists start coming. And there are a lot of them, some predictable, but enough unexpected to keep viewers guessing up until the very end about just who is really guilty, and of what.

If it were nothing more than a mystery movie, “Gone Girl” would be an entertaining enough outing, though perhaps a confusing one in trying to determine what motivates certain characters. But as my earlier mentioning of pre-marriage counseling indicates, Fincher and Flynn, who also adapted her book to the screen, have a lot more on their mind with “Gone Girl” than just a simple whodunnit.

  • 1
  • 2
Support Aleteia!

If you’re reading this article, it’s thanks to the generosity of people like you, who have made Aleteia possible.

Here are some numbers:

  • 20 million users around the world read Aleteia.org every month
  • Aleteia is published every day in seven languages: English, French, Italian, Spanish, Portuguese, Polish, and Slovenian
  • Each month, readers view more than 50 million pages
  • Nearly 4 million people follow Aleteia on social media
  • Each month, we publish 2,450 articles and around 40 videos
  • We have 60 full time staff and approximately 400 collaborators (writers, translators, photographers, etc.)

As you can imagine, these numbers represent a lot of work. We need you.

Support Aleteia with as little as $1. It only takes a minute. Thank you!

Daily prayer
And today we celebrate...




Top 10
1
SAINT MATTHIAS
Philip Kosloski
Why Matthias was chosen to replace Judas as an apostle
2
ascension AND ASSUMPTION
Philip Kosloski
Ascension vs. assumption: What is the difference?
3
ascension of Jesus
Philip Kosloski
Was Mary present at the ascension of Jesus?
4
BENOIT JOSEPH LABRE
Larry Peterson
Benedict XVI called him “one of the most unusual saintsR...
5
KNEELING
Philip Kosloski
How to pray the Divine Praises
6
I.Media for Aleteia
These 30 shrines will lead the Rosary Relay for end of the pandem...
7
Eric Clapton, Luciano Pavarotti, East London Gospel Choir
J-P Mauro
Hear Clapton and Pavarotti sing a prayer to the “Holy Mothe...
See More
Newsletter
Get Aleteia delivered to your inbox. Subscribe here.