Not Prepared to Donate?

Here are 5 ways you can still help Aleteia:

  1. Pray for our team and the success of our mission
  2. Talk about Aleteia in your parish
  3. Share Aleteia content with friends and family
  4. Turn off your ad blockers when you visit
  5. Subscribe to our free newsletter and read us daily
Thank you!
Team Aleteia

Subscribe to our Newsletter

Our Arabic Edition needs your support.
PLEDGE NOW
Aleteia

The oldest image of the most painted woman of all time

Old Mary Painting
Tony De Camillo | Yale University Art Gallery
Share

A theology professor may have discovered what may be the first-ever portrait of the Virgin Mary.

It’s ironic that this painting, now thought by some to be the oldest image of the Virgin Mary, could have been hidden for so long. For if Michael Peppard, a theology professor at Fordham University, is correct, the ancient painting is of Mary at the Annunciation, when Mary first heard the angel’s voice behind her: “Do not be afraid, Mary, for you have found favor with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.”

One might imagine that Mary’s first instinct would have been to run and hide. But the fact that Mary didn’t run, that she didn’t hide, that she heeded the angel’s announcement and accepted God’s will, bearing and raising Jesus, the Son of God, has made her the holiest and most revered — and probably painted — woman of all time.

Since the painting’s discovery in 1932, when the house-church where it hung in Eastern Syria was excavated, art historians have identified the woman as the Samaritan Woman — understandably, since the woman is standing beside a well.

Old Mary Painting
Tony De Camillo | Yale University Art Gallery

But Peppard contends that most paintings of the Woman at the Well also include Jesus, who famously sat down next to the Samaritan sinner. However, since the angel was heard but not seen, most paintings of Mary at the Annunciation include only Mary — usually, at a well.

This discovery of a “new” painting of Mary is based only on Peppard’s opinion (although, archaeology reports seem to back it up). The Yale University Art Museum still says: “The painting most likely depicts a scene from the encounter between Christ (not shown) and a woman from Samaria.” Which could, of course, still be true.

However, the idea that this really is Mary is exciting. And a lovely reminder that the holy is always around us. Often hiding in plain sight. We just have to notice.

Newsletter
Get Aleteia delivered to your inbox. Subscribe here.
Aleteia offers you this space to comment on articles. This space should always reflect Aleteia values.
[See Comment Policy]

Millions of readers from around the world — including thousands of middle-eastern Christians — count on Aleteia for information, inspiration and encouragement. Please consider helping to underwrite this edition with a small donation.