Aleteia logoAleteia logo
Aleteia
Tuesday 21 September |
The Feast of Saint Matthew the Apostle
home iconArt & Culture
line break icon

This painting of Christ’s Resurrection was hiding in plain sight for decades

Andrea Mantegna | Public Domain

V. M. Traverso - published on 01/08/21

Curators discovered that the painting was the continuation of a masterpiece by Renaissance painter Andrea Mantegna (1432-1506).

A painting of Christ’s Resurrection was kept in storage for decades until a curator realized it the was the missing half of a $28.5 million painting by Renaissance Master Andrea Mantegna.

Discovering a long-lost masterpiece

At first Giovanni Valagussa was about to catalog the gold and tempera painting depicting Christ’s Resurrection as a copy of a lost original work from the Renaissance. After all, that is what another curator had stated some 80 years earlier, the last time that painting had been evaluated.

But something did not seem right. Valagussa, who was cataloging works put in storage at the Accademia Carrara in Bergamo, Italy, thought that artistic craftsmanship shown in the piece stood out from the other copies that had been stocked in that same room.

RESURRECTION
Andrea Mantegna | Public Domain

This painting of Christ’s Resurrection has been catalogued as a copy by curator of Accademia Carrara in Bergamo in the 1930s.

He started to doubt the evaluation that had been made by his predecessor in the 1930s. What if this was not, in fact, a copy?

Matching the puzzle pieces

It was thanks to this providential question that Valagussa, curator of Accademia Carrara in Bergamo, started a process that eventually led to the identification of a long-lost Renaissance masterpiece.

On top of the undoubted aesthetic quality of the work, Valagussa noticed a mysterious detail. Right at the bottom of the painting stood a lone cross, coated in gold. The curator’s memory immediately flashed back to a masterpiece by Renaissance painter Andrea Mantegna (1432-1506) titled “Christ’s Descent into Limbo” (1492-1493) where Christ, depicted at the center of the composition with his back towards the viewer, is holding a pole. The pole seems to be cut off at the top, as if missing a cross or a banner.

Andrea Mantegna | Public Domain

The cross at the bottom of the painting evaluated by Valagussa in Bergamo seemed to coincide with the pole held by Christ in this Renaissance masterpiece by Andre Mantegna.

Inspired by his findings, Valagussa contacted the greatest living expert on Andre Mantegna, Keith Christiansen of New York’s Metropolitan Museum of Art. He explained how the “copy” found in storage looked like it could be the continuation of an existing work by Mantegna, which has been sold to a private collector during an auction held at Sotheby’s New York in 2003 for $28.5 million.

The two art experts placed photographs of the two paintings next to each other to find out if they could match up.

“We put the two images together, and bingo!” Christiansen told art magazine Artnet.com. “The rocks all match up, the little banner comes together, mystery solved.”

Glz19 | CC BY-SA 4.0

By placing photographs of the two works of art near each other, the two curators confirmed that they were indeed part of a larger work by Renaissance master Andrea Mantegna.

On top of the puzzle-like identification technique, the two experts also noticed that the rear of the painting had a wooden beam, which was usually attached at the top or bottom of paintings to present warping. The fact that this beam was placed in the middle further proved that the painting was the upper part of a larger composition.

The complete painting is revalued at over $25 million

As noted on the Wall Street Journal, the discovery immediately affected the estimated value of “Resurrection,” which is now valued between $25 million and $30 million — up from a few hundreds Euro.

“We hope to soon be able to admire both paintings together” Nadia Ghisalberti, Head of Bergamo’s Cultural Council, told Italian newspaper La Repubblica. “It would be great to admire these works as a whole, the way Mantegna himself conceived it.”

For now, the two works can be admired as in the digital reconstruction that was made thanks to Valaguess and Christiansen’s detective work.

Tags:
Art
Support Aleteia!

If you’re reading this article, it’s thanks to the generosity of people like you, who have made Aleteia possible.

Here are some numbers:

  • 20 million users around the world read Aleteia.org every month
  • Aleteia is published every day in seven languages: English, French, Italian, Spanish, Portuguese, Polish, and Slovenian
  • Each month, readers view more than 50 million pages
  • Nearly 4 million people follow Aleteia on social media
  • Each month, we publish 2,450 articles and around 40 videos
  • We have 60 full time staff and approximately 400 collaborators (writers, translators, photographers, etc.)

As you can imagine, these numbers represent a lot of work. We need you.

Support Aleteia with as little as $1. It only takes a minute. Thank you!

Daily prayer
And today we celebrate...




Top 10
1
ANMOL RODRIGUEZ
Domitille Farret d'Astiès
Attacked with acid as a baby, Anmol Rodriguez overcomes and inspi...
2
ARGENTINE CHILDREN
Esteban Pittaro
Argentine “Mother Teresa” was a former model and actress who embr...
3
RESURRECTION
Philip Kosloski
Your body is not a “shell” for your spirit
4
Our Lady of La Salette
Philip Kosloski
How Our Lady of La Salette can give us hope in darkness
5
PIER GIORGIO FRASSATI
Cerith Gardiner
12 Habits of Blessed Pier Giorgio Frassati that every young adult...
6
Visalia CHURCH
J-P Mauro
The largest Catholic parish church in the US will soon be in Cali...
7
CHAPEL OUR LADY MIRACULOUS MEDAL
Zelda Caldwell
A pilgrimage to Paris’ Chapel of Our Lady of the Miraculous Medal
See More
Newsletter
Get Aleteia delivered to your inbox. Subscribe here.