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The Christ-like Virtues of Cinderella’s Prince Charming

WEB-Cinderella-Richard-Madden Disney-Pictures

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Sam Guzman - published on 04/07/15 - updated on 06/08/17

Disney surprises with a "good" movie

My wife and I enjoy periodic date nights, and for our most recent night on the town, I took her to see Disney’s new production, Cinderella. To be honest, I was a bit leery as Disney has ruined a good deal of movies lately with post-modern deconstruction (Maleficent paints the evil witch in Sleeping Beauty as a sympathetic, complicated, pseudo-satanic character). What would they do to this classical tale of good and evil? I wondered.

I am happy to say that despite my apprehensions, Cinderella was a pleasant surprise and one of the best Disney movies I have seen in a long time. The film was completely faithful to the original story, with zero cynicism or liberties taken. Most importantly, it joyfully presents goodness, kindness, and forgiveness triumphing over the evils of jealousy and hatred in the best possible way. It was truly a good movie in the fullest sense of the word, presenting a right-side-up Christian worldview from start to finish. For Disney, this was very much a surprise!

My point here is not to review Cinderella, however—others have done a fine job of that already. What I do want to focus on is how the film portrayed one of the most important characters, the Prince (known in the original animated film as Prince Charming).

It is common for Hollywood to portray men as either bumbling buffoons in need of rescuing or as rebellious bad boys in need of reforming, and story lines often focus on the wise and adroit women who swoop in to save their men. Cinderella is quite different in this respect. The Prince, played by Richard Madden, is presented as kind, noble, and above all humble. He is not a clown, nor is he an arrogant fop. He is truly a good and courteous man. He is a gentleman.
Here are some of the ways the Prince exemplifies true gentlemanliness. Warning: There are spoilers ahead. 

Humilty

We are introduced to the Prince as he is hunting a stag in the woods. Cinderella, distraught over her mistreatment by her stepmother, has just run away from home. The two meet in the forest and Prince charming is immediately captivated, as much by Cinderella’s kindness and innocence as by her beauty.

Interestingly, Cinderella does not realize that the Prince is royalty. She has no idea who he is, a fact which the Prince finds amusing and endearing. Rather than impress her with his status, however, he simply introduces himself as “Kit,” a nickname given to him by his father, and says he is merely an apprentice. Unfortunately for him, Cinderella disappears before he can even learn her name.

Later in the film, the Prince finds Cinderella after a long and thorough search. Cinderella graciously reveals to the prince that she is not indeed a princess, that she has no kingdom and no family. Undeterred, the Prince offers marriage, and Cinderella agrees on the condition that he take her as she is, a poor country girl. The Prince agrees without hesitation, and then adds, “And only if you will take me as I am, an apprentice still learning his trade.” There is no arrogance here, only genuine courtesy and humility.

The Prince’s humble opinion of himself is quite out of character for movie men. The appeal of Christian Grey in the recent 50 Shades of Grey filmwhich I have not seen and will not see, is based exclusively on his power and wealth. As one commentator noted, an obese man of average means who behaved the same way would end up in prison, not glamorized in a novel. Christian is a horrible, abusive person who is defined by his pride and lust for control— and yet he is attractive to the main character because of these things, not in spite of them. The Prince presents an entirely different picture. Cinderella, unlike the Prince’s other suitors, is not attracted to him because he is rich or powerful or needy in some way, but because he is good and kind. And in turn, those are the very reasons the Prince is attracted to Cinderella.

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