separateurCreated with Sketch.

Caravaggio: Touching Jesus’ wounds

The Incredulity of Saint Thomas is a painting of the subject of the same name by the Italian Baroque master Caravaggio, c. 1601–1602. It is housed in the Sanssouci Picture Gallery, now a museum, in Potsdam, Germany.

whatsappfacebooktwitter-xemailnative
Jesús Colina - published on 04/26/17
whatsappfacebooktwitter-xemailnative

Details of the masterpiece that changed the history of painting.

Help Aleteia continue its mission by making a tax-deductible donation. In this way, Aleteia’s future will be yours as well.


Donate with just 3 clicks

*Your donation is tax deductible!

A shudder. This is what the astonished, curious people who, in 1603, found themselves before this Caravaggio masterpiece felt.

Considered the first “film director” in history, centuries before the cinematographic cameras were invented, the Italian Michelangelo Merisi da Caravaggio (1571-1610) concentrates light in Jesus’ chest, pierced by the spear on the Cross, and now resurrected.

Last Sunday’s Gospel (John 20: 19-31) narrates how the finger of the apostle Thomas, when touching Christ’s wound, became the most authentic testimony of the resurrection Of the Lord.

In this photographic gallery, in which we present the details of “The Incredulity of Saint Thomas,” we can admire Caravaggio’s spectacular artistic interpretation of this post-Resurrection encounter.

These images had a decisive influence on the history of painting. In fact, copies of the original spread throughout Europe. The painting is now housed in the Sanssouci Palace in Potsdam, Germany.

Did you enjoy this article? Would you like to read more like this?

Get Aleteia delivered to your inbox. It’s free!

Aleteia exists thanks to your donations

Help us to continue our mission of sharing Christian news and inspiring stories. Please make a donation today! Take advantage of the end of the year to get a tax deduction for 2024.