Cameron Smith explains that yes, it is possible to be a professional Catholic artist in today's world.
Tonight, Archbishop Samuel J. Aquila of Denver, together with Auxiliary Bishop Jorge Rodriguez and all pastors of northern Colorado, will consecrate the archdiocese to the Immaculate Heart of Mary, on this 100th anniversary of the last apparition of Our Lady to three shepherd children of Fatima.
As the Archdiocese of Denver prepared for the consecration, a painting of the Immaculate Heart of Mary by Cameron Smith, which depicts Mary in a traditional yet totally modern style, stood out.
The Denver Catholic spoke with Smith about the painting and about the challenges of surviving and flourishing as a Catholic artist today.
See the original article, reprinted with kind permission, here.
Denver Catholic: How did you begin as an artist?
Cameron Smith: I was into art from childhood. I remember coloring books and kindergarten projects and was one of the class “artists” all through school. In high school, my youth minister suggested I look at North Carolina State University (NCSU) School of Design, and I went with it. While there, I gravitated towards fine arts and, in the last year of my program, started a studio co-op. I had been interested in painting, drawing, sculpture, photography and other disciplines, but somewhere in the process of developing the studio, I determined to make painting a focus. The complexity of painting and allure of color attracted me. Its possibilities seemed so vast.
DC: How did your profession as a painter take off? What motivated you to pursue it full-time?
CS: I couldn’t be invested in pursuing something unless it was deeply meaningful … and this meant defining art. I concluded that the essence of art was an “interplay with the Holy Spirit within a given medium.” Once I grasped this, it struck me as a call to pursue art. My artistic journey has mirrored my faith life in many ways. It’s an ongoing cycle of reconversion / recommitment / renewal.
The career aspect, however, is a puzzle I wrestled with for years and is ever-evolving. Painting haunted me as I worked various other jobs to support it. And honing my skills was just the first step in building an art career! In 1998, I received my first real fine art commission, a Degas-inspired portrait. After reading Pope John Paul II’s Letter to Artists, expressing my faith overtly in art became a real goal. I had started apprenticing with a local Catholic sculptor who introduced me to St. Louis de Montfort’s Total Consecration, which greatly influenced my life and art. That summer (1999), I discovered my wife-to-be, Kristen, on a mission trip. By 2002, we were married, expecting our first child, and preparing to be vendors at World Youth Day 2002, Toronto, where we were launching Smith Catholic Art, our family art apostolate. Five kids and 15 years later, it’s been a steadily evolving process.
DC: What was the journey of creating the Immaculate Heart of Mary and Sacred Heart of Jesus paintings like?
CS: The process of painting the Sacred and Immaculate Hearts was, to be truthful, agonizing…and momentous. I had wanted and tried to paint the Two Hearts images several times, but couldn’t find the right inspiration. Favorite icons, Van Gogh, Klimt, a few contemporary artists, as well as my experience with portraiture and Kristen as model, helped to produce this image. It was two years in the making, and it seemed like every time it went on the ease, l our life would just “hit the fan.” While I started it on my own, a dealer I work with was able to arrange a commission. This was a great grace, as it forced me to finish and push through many times of utter frustration. “Immaculate Heart of Mary” was the first painting in which I combined abstract designs and pattern with more traditional modeling and realism. It’s an idea from iconography, but I wanted to incorporate my own figure skills and use a pattern language that didn’t allude to other particular pattern contexts. It had to be contemporary but also thoroughly traditional. The “Immaculate Heart of Mary” illuminated and paved the way for the “Sacred Heart of Jesus.”