Aleteia logoAleteia logo
Wednesday 04 August |
Saint of the Day: St. John Vianney
home iconTravel
line break icon

São Lourenço, the incredible blue-tiled church in Algarve, Portugal


Marc Ryckaert | CC BY 3.0

V. M. Traverso - published on 09/14/18

It is one of the most prominent adaptations of Portugal’s azulejos tilework in a religious context.

Beautiful things can happen when cultures meet. That was the case with ceramic craftsmanship in the Iberian Peninsula during 13th century, when the Moors influenced local ceramic making, leading to the iconic azulejos tile style.

“Azulejo” comes from the Arabic al zellige, literally meaning “small polished stone” and refers to tilework made from individually chiseled tiles knit together with a plaster.

Public Domain

Initially, azulejo tiles were used to fill in blank spaces on the walls of Gothic churches, such as Seville’s Iglesia de Santa Ana(St. Anne’s church) and in the Charles V palace in Alhambra, Granada, Southern Spain.

When Portugal’s King Manuel I visited Southern Spain in 1503, he was so impressed by the beautiful tilework of local churches and palaces that he brought the concept back to his kingdom, pushing architects to make use of azulejos both in his own royal palace in Sintra, near Lisbon, and for public works.

In the beginning, azulejos were mainly decorated according to a blue and white palette, with later evolutions comprising more elaborate decorations in green, yellow and gold. Portuguese artists soon adapted the simple but elegant geometric decorations typical of Islamic art—it is prohibited to depict human figures according to Islamic law—to fit their storytelling purposes. It became a tradition to tell stories about Portugal’s history and culture by depicting human stories on azulejo tile that effectively became a ceramic version of Renaissance frescoes.

Today, anyone walking down the streets of a Portuguese city can notice the idiosyncratic tilework in many public buildings, including the Sao Bento Railway Station in Porto and many stops of Lisbon’s subway.

Rick Ligthelm | CC BY 2.0

The beautiful azulejo tilework of Sao Bento Railway Station in Porto. Azulejo tiles can be found in many public buildings around Portugal.

And of course, some of the most prominent examples of this art form are found in monasteries, churches and chapels around the Iberian country. One of the most outstanding adaptations of azulejos tilework in a religious context is found in the 18th century church of São Lourenço (St. Lawrence) in the town of Almancil, Algarve.

Concierge.2C | CC BY-SA 3.0

Nearly every inch of São Lourenço’s interiors is covered in white and blue azulejos tiles depicting the life of Saint Lawrence

Here, every inch of the barrel-vaulted nave and its cupola is completely covered in azulejo tilecorners and frames aside. The eight tilework panels display the life of St. Lawrence, a Christian martyr who was tortured and killed in 258 after refusing to pay taxes to Roman Emperor Decius and donating the money to the poor instead. Each phase of its life, from his healing work to his martyrdom, is displayed on a dedicated panel, accompanied by Latin inscriptions in each arch. Some allegorical figures symbolizing Christian virtues, such as perseverance, piety and patience, are depicted over the arches.

A Latin inscription over the window, reading “Policarpo De/ Olivera Bern / Pintou Esta Obra De Azu / Leio” (Policarpo de Oliveira Bern Painted this work of azulejo) acknowledges the creator of the tilework, Policarpo de Oliveira Bernardes, one of the most important azulejo tile artist of the 18th century.

Luckily, the devastating earthquake that hit Lisbon in 1755 had a minor impact in Algarve, causing damages to just five of the elaborately decorated azulejos tiles. Today, the church attracts many visitors to this small town in central Algarve, where it is informally known as the Igreja de Louça, literally the “Church of China.”

ArchitectureChurch History
Support Aleteia!

If you’re reading this article, it’s thanks to the generosity of people like you, who have made Aleteia possible.

Here are some numbers:

  • 20 million users around the world read every month
  • Aleteia is published every day in seven languages: English, French, Italian, Spanish, Portuguese, Polish, and Slovenian
  • Each month, readers view more than 50 million pages
  • Nearly 4 million people follow Aleteia on social media
  • Each month, we publish 2,450 articles and around 40 videos
  • We have 60 full time staff and approximately 400 collaborators (writers, translators, photographers, etc.)

As you can imagine, these numbers represent a lot of work. We need you.

Support Aleteia with as little as $1. It only takes a minute. Thank you!

Daily prayer
And today we celebrate...

Top 10
Saint Mary of the Angels
Bret Thoman, OFS
All your sins will be forgiven if you go to a Franciscan church o...
Ignacio María Doñoro
Francisco Veneto
The military chaplain who pretended to be a criminal to rescue a ...
Violeta Tejera
Carlo Acutis’ first stained glass window in jeans and sneak...
Theresa Civantos Barber
The one thing we all should do before this summer ends
Philip Kosloski
Most priests can’t absolve these sins
Ary Waldir Ramos Diaz
1st Feast of Our Lady of Silence is August 1
Zelda Caldwell
World-record winning gymnast Simone Biles leans on her Catholic f...
See More
Get Aleteia delivered to your inbox. Subscribe here.